Wednesday, November 27, 2013

Working on New Abstract Paintings

I accustomed a agency afresh to accomplish two new abstract paintings that would plan alone or afraid calm a few inches apart. When faced with a claiming like that, I like to acrylic both canvases simultaneously, sometimes even application two easels so I can actually move from one to the other.
After accumulating the colors I would need, I absitively to acrylic layers of accomplishments first, which would accommodate a jumping off point for the final composition. To start, I awkward baby amounts of acrylic in accidental spots over the accomplished canvas in the afterward colors: teal, purple, acceptable and gray. After flattening out anniversary atom of paint, I covered the accomplished canvas in a admixture of anemic lavender, baptize and covering medium. I accustomed the colors to alloy as I did this.
Commissioned Painting.
After this accomplishments dried, I angry the canvas 90 degrees and corrective addition accomplishments layer. I acclimated the aforementioned colors as above, but added titanium white and parchment. This time I didn’t abrade the spots of color, but anon began painting over them with the lavender mixture, aggregate as I went.
The white helps add some ablaze to the background, which should construe into the final painting. After one added accomplishments covering of paint, I’ll be accessible to alpha the foreground.





Tuesday, November 26, 2013

More Work on New Painting Commission

After painting the accomplished canvas in titanium white and absolution it dry, I acclimated a palette knife to administer ample acclamation of acrylic acrylic to this new painting commission. I began with titanium white and again parchment. After that, I added baby highlights in chicken and orange. My next blush would be black, and I capital these colors to be mostly pure.
This painting bare to accept a lot of black, but I aswell capital it to accept a faculty of spontaneity, so I formed quickly, authoritative ample acclamation with the palette knife. I aswell acclimated the atramentous added cautiously to adumbration some of the white and block areas.
After traveling aback and alternating with the parchment, white and black, I chock-full and advised the canvas. My next footfall was to add atramentous curve which would advice ascertain some areas and accord arrangement and archness to others.
Now I admiration if the painting is too black, but I’ll let my applicant decide. It has a force and drive that I like. If I approved to change it now, I’d lose that effect.


Monday, November 25, 2013

New Painting Commission

This anniversary I’ve been alive on a new painting agency for a ample 48″ x 36″canvas. My applicant chose one of my accepted paintings that he liked, gave me a brace of colors he capital me to add, and from that I began to work.
I’m not abiding whether commissions are harder if the applicant is actual specific, or if they are actual vague. I anticipate specific is better. In the end, however, you accept to accomplish a new painting that works–not await too heavily on instructions. For what the applicant absolutely wants is a abundant new painting that is unique.
Another claiming in painting a agency is the differences in size. A architecture or address that works baby is harder to construe into large, and carnality versa. The aboriginal painting my applicant admired was actual small–20″ x 20″–whereas the new one is large. Plus, I corrective the aboriginal with a palette knife, bound accoutrement the baby canvas. That accustomed me to acrylic wet on wet, and to use the breadth of the palette knife to ascertain strokes.
After belief the obstacles and challenges, I was accessible to activate the new commission. After authoritative the canvas, I aboriginal corrective a covering of titanium white and let it dry. That would accommodate a acceptable accomplishments apparent for the new painting.



Sunday, November 24, 2013

Struggle in the Painting Studio

Today I approached an oil painting I anticipation I’d accustomed up on afterwards abounding attempts to accomplish it work. The acrylic was blubbery with lots of arrangement from antecedent incarnations. But instead of painting over the accomplished affair again–starting anew–I absitively to see if there was some way I could accomplish this one work。
Feeling this canvas bare a ablaze atom of color, I began by painting some of the baby axial shapes in cadmium red light. Then I watered down my besom a bit, and began applying a ablution of the aforementioned blush over added areas, acceptance the colors already there to appearance through.
Next, I acclimated titanium white to lighten up areas of the painting, and to add highlights. Carefully, I corrective white over the aloft curve of arrangement that amidst the ablaze orange/reds with their atramentous outlines.
Very gradually, this painting came calm as I advised the composition–adding added atramentous or white or red, as needed.
I still don’t apperceive if it’s finished, but at atomic I like it a lot bigger now.



Thursday, November 21, 2013

More Work on New Blue Painting

I was originally blessed with this new abstruse expressionist appearance painting in shades of dejected and white. I had corrective it with a brush, alive in a loose, improvisational manner. Again I added some solid colors with a palette knife, and again I drew some curve in Prussian dejected to accent shapes and composition.
The aboriginal affair that agitated me about this painting was the blubbery block of Prussian dejected that went to the top bend of the canvas. I didn’t like the appearance of it, so I afflicted that first. Since I had the Prussian dejected tube accessible and on my acrylic brush, I began to plan on added of these sections–the aphotic Prussian dejected searching about like atramentous in these photos.
Next, I began to add added titanium white with a brush, abnormally in the accomplishments areas of the composition. I capital added ablaze and added adverse with the axial blues. I formed boring on this revision, endlessly generally to angle aback and see what abroad bare to be done.
I like this dejected painting abundant bigger now. Time will acquaint whether I accede it “finished.”

Tuesday, November 19, 2013

Focus in New Abstract Painting


In my aboriginal affair alive on this new abstruse painting, I began with a ellipsoidal focus. I created blocks of vertical and accumbent rectangles in white, yellow, orange, or Prussian blue. Again I drew curve in the dejected and orange to ascertain the agreement and add texture.
Today I revised this canvas and began to strengthen the ellipsoidal focus by accoutrement over a lot of of the shapes with blocks of titanium white, activated with a palette knife. I covered over a lot of of the yellow, abrogation added of the orange and blue.
Next, I added some burnt umber, application it to becloud and deepen the added colors, abnormally in the background, which had been done in block originally. As I worked, I chock-full generally to abstraction the painting, again fabricated accessory adjustments. But I chock-full in time to leave it with a loose, about “accidental” feel to it.

Monday, November 18, 2013

Painting Featuring White

I admired the way this painting featuring white had appear out on the aboriginal day I formed on it. Now it was time to strengthen the agreement and colors.
I began with a palette knife, applying blocks of solid titanium white–mostly afterward the aboriginal composition. Again I added cadmium red medium, cadmium orange and veridian green, afresh with the palette knife.
Next I acclimated a baby besom to add burnt umber, application it to accent compositional elements, as able-bodied as for adverse and shading. I stood aback again to abstraction the painting, authoritative baby changes with a brush. I approved to accumulate the aforementioned apart structure, but still adviser the eye to a axial focus with movement beaming out from it.
I’ll accept to let this painting sit for a while afore I adjudge whether it needs added work.


Sunday, November 17, 2013

New Abstract Painting

I began this new abstruse painting by applying some ample acclamation of ablaze blue, Prussian blue, ablaze blue, and ablaze violet blue. Again I corrective the accomplishments in block, aggregate it with the blues.
For contrast, I brushed on some alizarin blood-soaked and veridian green. I did aggregate in a loose, actor style, painting quickly. After the brushwork, I switched to a palette knife, abacus ample blocks of the aforementioned blues. Again I added sections of titanium white, acceptance some to float on the surface, others to alloy with the blues.
At that point, I absitively I charge some black, and activated it with a besom as able-bodied as the palette knife. It’s harder to acquaint the aberration amid the atramentous and the Prussian dejected in this photo, but the atramentous is added close and reflects beneath light.
Finally, I drew curve in Prussian blue, analogue some of the block shapes, emphasizing sections of the composition. And again I stopped. I’ll accept addition attending tomorrow to see area to go from here.




Thursday, November 14, 2013

New Abstract Expressionist Painting

After some black plan on alteration earlier canvases, I was blessed to yield a beginning bare canvas today and activate a new abstruse expressionist painting. It acquainted acceptable to be painting freely, creating ample gestural acclamation and bond colors on the canvas as I worked.
I began with cadmium red average and red light, intending my admired color–red–as the focal point. Then I covered all the accomplishments in block (an off white). After that I attenuated in some cadmium orange, cadmium red deep, and Indian yellow.
For contrast, I added some veridian blooming and burnt umber. Then I acclimated a palette knife to add some collapsed ample sweeps of blush in cadmium red ablaze and titanium white. Finally, I drew coarse curve in burnt umber, feathering some of them with a besom to abate the effect.
I like the rough, improvisational feel in this painting. As I abstraction the canvas in canicule to come, I’ll see if I still like it.




Wednesday, November 13, 2013

More Work on Two Paintings

Even admitting I’d already active these two paintings, they were contempo abundant that I hadn’t advised them absolutely finished. I usually plan on six canvases at a time, and at some point I put them all forth the bank and abstraction them carefully. Some accomplish the grade, some don’t.
I wrote about the aboriginal painting afterlight in a antecedent art blog–pointing out that I did not like the after-effects of painting the edges of the agreement with parchment. So this time I alloyed a anemic bluish blooming and covered over the parchment. This meant I now bare some of the anemic blooming in the centermost of the agreement as well, so I covered over a lot of the block shapes with it.
I had active the next painting I formed on also, but something about it agitated me. There was in fact one darker dejected appearance on the appropriate ancillary of the agreement that seemed out of abode to me. So the aboriginal affair I did was to awning it over in a lighter adumbration of blue. But that didn’t absolutely break the problem.
I absitively the accomplished painting was too apish and bare added improvisation.
I started cartoon curve in Prussian blue, veridian green, and white, and aggregate them with a brush. Well, it abiding is added ad-lib now, but ugly. 


Tuesday, November 12, 2013

Wall Hanging

Mimi was nice abundant to allotment this photo of a Marimekko Unikko bank blind that she created from a tablecloth for her new home. This is just addition archetype of how Marimekko bolt can be acclimated to adorn your home. Want to accomplish your own bank blind like this? Read our Marimekko bank blind instructions. Bolt used: Marimekko Unikko.




Monday, November 11, 2013

Nursery Design with Wall Art


We came beyond this admirable nursery put calm by AlwaysMod chump Lisa and her family. Check out the abundant bank blind fabricated from Marimekko Kaiku fabric!







Sunday, November 10, 2013

A Momentous Occasion


This astonishing Christmas crimson from skimbacohome.com is adorned in Marimekko’s alive Hetkiä book to amalgamate avant-garde architecture with archetypal anniversary decor. Finnish for “Moment”, this active band cartoon by Maija Louekari captures a alive cityscape and celebrates the adorableness of getting in a specific abode or time. Using a echo of Hetkiä bolt from Alwaysmod.com, blogger Katja Presnal accomplished this blithe attic to beam attending and fabricated a absorbing anniversary moment all her own. Although Presnal worries that the book may not plan cohesively with her Christmas décor, I can appropriately assure her that it adds abrupt allure that is both stunningly admirable and afresh unique. Nice work!




Wednesday, November 6, 2013

Wall Stickers

When it comes to redecorating, a little acuteness and adeptness goes a continued way. Check out this kitchen accommodate that stays accurate to its midcentury appearance while abacus lots of avant-garde charm. 



By removing the bank amid the kitchen and the dining allowance the amplitude is opened up completely. The dining allowance table stays accurate to the copse bank aesthetic, and fun new lighting appearance and avant-garde chairs were added forth with all new appliances. But the blooming on top of this candied acclimate is the affected alternation of Marimekko fabric, abacus an abrupt and abundant bare pop of color. 



Check out AlwaysMod‘s abundant alternative of bolt to get started on a bank art activity of your own. Do you accept any Marimekko bank art that has helped transform your home? We’d adulation to see it!








Tuesday, November 5, 2013

Divide and Conquer

Lately Marimekko has adored us with some amazing new printed fabrics, abounding of which aswell accept amazingly continued repeats; Marimekko Taapeli, Marimekko Sadonkorjuu, and Marimekko Siniverinen to name a few.
Selling by the echo may beggarly a college amount tag, but you are aswell accepting added bolt with the absolute arrangement so annihilation acute is cut off. We audit and duke admeasurement every new bolt that comes in to actuate what the ideal cut is for the accurate design.
Knowing what to do with such large, able prints can sometimes be confusing. One way we do it actuality is by breaking it up. You can breach up the bolt in abounding ways, such as by authoritative smaller, alone pillows or bench covers. If you are aptitude appear announcement the bolt as bank art, however, you don’t charge to adhere the bolt as one connected piece. Actuality are some examples of how to absorb a bank blind with these types of patterns that makes a account but is not overwhelming. If you’re searching for footfall by footfall instructions of how to actualize such a canvas, feel chargeless to accredit to this antecedent column for some pointers.
Do you like the attending of breach canvas art, or do you adopt a individual display? Let us apperceive your assessment below!



Monday, November 4, 2013

Painting Revisions

Even admitting I’d already active these two paintings, they were contempo abundant that I hadn’t advised them absolutely finished. I usually plan on six canvases at a time, and at some point I put them all forth the bank and abstraction them carefully. Some accomplish the grade, some don’t. 

I wrote about the aboriginal painting afterlight in a antecedent art blog–pointing out that I did not like the after-effects of painting the edges of the agreement with block. So this time I alloyed a anemic bluish blooming and covered over the parchment. This meant I now bare some of the anemic blooming in the centermost of the agreement as well, so I covered over a lot of the block shapes with it. 

I anticipate it’s bigger now, but time will acquaint whether it is finished.

I had active the next painting I formed on also, but something about it agitated me. There was in fact one darker dejected appearance on the appropriate ancillary of the agreement that seemed out of abode to me. So the aboriginal affair I did was to awning it over in a lighter adumbration of blue. But that didn’t absolutely break the problem. 

I absitively the accomplished oil painting was too apish and bare added improvisation. 

I started cartoon curve in Prussian blue, veridian green, and white, and aggregate them with a brush. Well, it abiding is added ad-lib now, but ugly.




Sunday, November 3, 2013

Painting Fast

I am a bipolar artist, and by nature, a angry person. Sometimes I just don’t accept the backbone for the slow, accurate detail that a painting may require. Other times I’m blessed to affably ample in shapes with a baby brush.
When I am impatient, I wish to acrylic with ample strokes–attacking the canvas rather than caressing it. But the abrupt affection doesn’t consistently crop absolute results. It’s accurate that large, gestural movements can accord the consistent mark a faculty of activity and motion. But if these movements appear out of impatience, abolition is the added acceptable result.
I was balked with a painting I’ve been alive on over several weeks–letting it sit for continued periods of time, and afresh adverse it again. Here’s the a lot of contempo before:


This painting had endless of arrangement from antecedent incarnations, and that arrangement bare to be accent in any afterlight I made. But the morning I approved to alter it this week, I was impatient–especially aback I’d admired several antecedent incarnations of this painting. Lately, I just seemed to abhorrence it. And this is the result:


It doesn’t amount how abundant I abort in the painting process, because I will be aback in the flat the next day to acrylic again.